Seeing his father’s face wanting again at him by the slim confines of the air vent in his bed room was unnerving in itself, however what made it much more terrifying for younger Isaac is the foreboding proven fact that his dad not too long ago died in a automotive accident. That is simply one in all many nightmarish photos and question-raising eventualities witnessed by a boy and his struggling stepmother when their remoted postmodern home by the woods is stalked by one thing carrying an all-too-familiar face in Daddy’s Head.
With the brand new horror movie now streaming on Shudder, Every day Useless had the nice pleasure of speaking with Benjamin Barfoot about writing, directing, enhancing, and composing the music for Daddy’s Head, which explores the consequences of family-fueled grief and expertly walks the road between ambiguous horror and simple scares, leaving you questioning what precisely is actual till the movie’s pivotal last body.
You’ll be able to watch our in-depth interview with Benjamin Barfoot under, and in case you missed it, be sure you learn Matt Donato’s Implausible Fest evaluate of Daddy’s Head!
Synopsis: Within the wake of his father’s premature demise, a younger boy is left within the eerie solitude of a sprawling nation property along with his newly widowed stepmother. Struggling to navigate the overwhelming process of parenthood, his stepmother grows distant, leaving their fragile bond prone to collapse. Amidst the rising rigidity, the boy begins to listen to unsettling sounds echoing by the corridors, and is quickly haunted by the presence of a grotesque creature bearing a disturbingly acquainted resemblance to his late father. Because the boy’s warnings are dismissed because the creativeness of a grieving baby, the sinister entity tightens its grip on their crumbling lives.
Director: Benjamin Barfoot
Screenwriter: Benjamin Barfoot
Forged: Julia Brown, Rupert Turnbull, Charles Aitken, Nathaniel Martello-White
Producers: Matthew James Wilkinson, Patrick Tolan
Cinematographer: Miles Ridgway
Editor: Benjamin Barfoot
Composer: Benjamin Barfoot
Language: English
Nation of Origin: UK
Operating Time: 97 minutes
[Above image courtesy of Rob Baker Ashton and Shudder.]
