We had discovered this previous Halloween season that Paul W.S Anderson (Occasion Horizon, Alien vs. Predator, Resident Evil movie franchise, Monster Hunter, Within the Misplaced Lands) is returning to the horror style with an upcoming film adaptation of the online game The Home of the Useless, which might be coming alongside over 20 years after Uwe Boll’s notorious adaptation.
Paul W.S Anderson will write and direct the brand new adaptation of SEGA’s zombie sport, which debuted again in 1996 and spawned a franchise in addition to a remake in 2022. In a brand new chat with Selection this week, Anderson particulars his “very, very scary” imaginative and prescient for the upcoming film.
“It’s going to be immersive and really, very scary,” Paul W.S. Anderson guarantees. “It’ll all play out in actual time, so it displays the expertise of taking part in the online game. The one time it stops is whenever you beat the sport otherwise you die. That’s going to be the one approach out.”
He provides, “The script is nearly accomplished. We’re aiming to shoot within the fourth quarter of this 12 months.”
Anderson is in fact no stranger to bringing video video games to life on the large display screen, having beforehand tailored each Mortal Kombat and Resident Evil. He tells Selection, “I’m actually going to push the envelope on this one. It’s going to be one thing completely different for me.”
Paul W.S. Anderson’s The Home of the Useless might be particularly adapting the 2002 sport The Home of the Useless 3, with the filmmaker not too long ago describing the movie as a “full-on terror trip.”
In The Home of the Useless 3, set 20 years after the earlier sport, “Lisa Rogan and Agent G are trying to find Lisa’s lacking father, after they uncover a brand new zombie infestation.”
The unique online game was unleashed in 1996, the exact same 12 months the unique Resident Evil got here alongside. Each video games are credited for kickstarting the zombie resurgence of the time.
The pictures used on this article are early idea artwork for Anderson’s film.
