‘Eileen’ Is an Unvarnished Story of Liberation By means of Self-Acceptance [The Lady Killers Podcast]

“Some folks, they’re the true folks. Like in a film, they’re those you’re watching, they’re those making strikes. And the opposite folks, they’re simply there filling the area. And you’re taking’em without any consideration. You assume, they’re straightforward. Take a penny, go away a penny. That’s you, Eileen.”

Some folks have household properties crammed with love. The partitions are lined with photographs of celebrations, milestones, and treasured reminiscences whereas the home itself brims with compassion and laughter. They’re the fortunate ones. A few of us have household properties that really feel chilly and empty. Whether or not from abuse or neglect, many should attempt to make the very best of life with homes that really feel extra like prisons and oldsters incapable of expressing love. William Oldroyd explores this distinctive tragedy in his adaptation of Ottessa Moshfegh’s Eileen. The properties we see on this icy story might have as soon as held love, however now they’ve turn into grim and soiled shells their occupants would kill to flee. 

Eileen Dunlop (Thomasin McKenzie) leads a solitary life. This anxious twenty-something spends her days doing secretarial work at a boys’ correctional facility and her nights caring for her alcoholic father. The retired cop appears to resent his daughter’s presence in the home regardless that he would actually die with out her. When a blinding new coworker named Rebecca (Anne Hathaway) takes a liking to Eileen, the lonely younger lady permits herself to hope for a fascinating friendship, budding romance, and altogether happier life. However the relationship takes a startling activate Christmas Eve main Eileen to query the grim future laid out earlier than her. 

Within the newest episode of The Girl Killers Podcast, co-hosts Jenn Adams, Sammie Kuykendall, Rocco Thompson, and Mae Shults will wade into the chilly waters of this dismal movie to debate three sophisticated but unknowable characters. How does Oldroyd’s adaptation evaluate to Moshfegh’s supply materials? Does Mrs. Polk (Marin Eire) deserve her destiny? Is that this Anne Hathaway’s greatest efficiency and is there hope to be discovered within the story’s abrupt ending? They’ll reply all these questions and extra whereas making an attempt to empathize with a maybe deliberately off-putting heroine.

Stream under and subscribe now by way of Apple Podcasts and Spotify for future episodes that drop each Thursday.

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