“I really feel it had largely been used to explain a sure aesthetic for clothes, music, period of movies, period of time,” Zegler explains. “It wasn’t one thing that my dad and mom talked about. Nobody had actually briefed me on it.” But when the script got here alongside, she discovered herself diving to the strangest corners of the web.
Says Zegler, “I had come throughout a survival video that was like a VHS tape that was processed and put onto YouTube, and it was simply essentially the most weird factor I had ever seen. And that despatched me down a rabbit gap with the movies of Invoice Clinton speaking about what was going to occur.”
Whereas Y2K was already a historic obscurity by the tail-end of the 2000s, its phenomenon was not. In any case, Zegler, like all of the twentysomething stars of Y2K, remembers the subsequent supposed apocalypse we have been supposedly doomed to stay via: New Yr’s Day 2012 when the Mayan calendar ended.
“I really feel like that was our model of Y2K,” Zegler considers. “I used to be 11 when that came about, and I used to be on a tenting journey with the Woman Scouts and everyone was crying. It was such a bizarre second. But it surely [represents] a kind of mass hysteria moments the place an thought catches hearth with everyone, and so they begin making up different tales about what they suppose goes to occur till that snowballs into one thing loopy. After which nothing occurred. Similar to Y2K.”
Therefore the enchantment of the film Y2K which permits us to stay, if vicariously, in an alternate historical past the place the worst fears of the “millennium bug” come true—maybe much more in order the film options killer Roombas and iMacs.
“I believe there may be in all probability a species-wide collective loss of life drive,” muses Evan Winter who co-wrote Y2K with Mooney. “It’s like a type of escapism and it’s one thing that you simply don’t need to stay via in actual life, so that you [try to] get a repair on it in a narrative, and you may get the joys of it, however then additionally the protection of it not being actual.”
